FILM 281 The Art of Screen Acting
Summary
This course will examine the role of acting, actors, and actor-director collaboration in the development of narrative cinema. The screen demanded a new approach to acting that differed markedly from the theatrical traditions that preceded it. Seminal practitioners of actor training such as Constantin Stanislavski and his American interpreters Lee Strasberg, Sanford Meisner, and Stella Adler and their students (such as Brando, Pacino, DeNiro, Hoffman, and Duvall) have had an incalculable influence on how screen actors prepare for a role and work with directors. This course will survey the major acting techniques and approaches, examine major films as case studies, and explore contemporary approaches to screen acting and actor-director collaboration in the cinema. This course carries Liberal Studies Arts and Literature Domain Credit.
Texts
Merlin, Bella, (2018) Acting The Basics, New York: Routledge. (Can be found under course reserves.)
This syllabus is subject to change as necessary during the quarter. If a change occurs, it will be thoroughly addressed during class, posted under Announcements in D2L and sent via email.
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you have contacted the Center for Students with Disabilities (CSD) at:
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Phone number: (312)362-8002
Fax: (312)362-6544
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