FILM 237 Film Philosophy
Summary
An introduction to philosophy in light of French thought on the cinema. Readings include the work of philosophers Henri Bergson, Maurice Merleau-Ponty, and Gilles Deleuze, in addition to writers on aesthetics, the cinema, and art history. Our focus concerns time, memory, and perception in relation to narration in film, with additional aesthetic interests in film’s relation to theater and photography, the evolution of the language of cinema, the relevance of the history of representational painting, the theory of photography in relation to cinematic realism, and the differences between the literary model of narration and a reliance on ideas about time, memory, and images that are found in the work of Bergson.
Grading
Paper 1 due 11:59 p.m., Sat., Sept. 21 25 points
Paper 2 due 11:59 p.m., Sat., Oct. 12 25 points
Paper 3 due 11:59 p.m., Sat., Nov. 9 25 points
Discussion: 25 points
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