DOC 224 Documentary Production I
Summary
Course Overview This introductory course explores a wide variety of documentary styles and techniques. Through screenings of classic and contemporary films, lecture and discussion, students learn different styles of documentary storytelling and visualization and apply these to exercises over the quarter.
Texts
Introduction to Documentary, Third Edition by: Bill Nichols
Grading
Assignment 1: Portrait of a Moment Project 30% Pre-Production Package Assembly Cut or Footage Sample Fine Cut Assignment 2: Archival + Voice Project 50% Pitch Pre-Production Package Interview footage (if not included in the film) Rough Cut Fine Cut Picture lock with Color Correction & Sound Mix/Final Edit Attendance, In Class Participation, Reflections & Participation/Mini Assignments 20% Total Percentage 100%
Prerequisites
PREREQUISITES: FILM 101 or FILM 102
Week 1:
9/7
What is Documentary?
Intros, expectations, D2L, equipment
Review: Syllabus & Assignments
-Portrait of a Moment FILM
Screen & Analyze: Shorts
READ: Chapter 1 “How Can We Define Documentary Film?” Chapters provided on D2L.
Assign: Fill out survey (5 pts)
Portrait of a Moment FILM due wk 5
ALWAYS CHECK D2L for
ASSIGNMENT UPDATES!
Week 2:
9/14
Interviewing
Preparing and research
Pre-interviewing
-What is in a pre-production package?
-POAM Groups assigned
Screen & Analyze: Shorts / Clips
READ: Chapter 6 “How Can We Differentiate Among Documentary Models and Modes? What are Poetic, Expository, and Reflexive Modes?
-In groups: Discuss ideas & pick topic
Assign:
-Pre-Pro Package due wk 3
Week 3:
9/21
Documentary Modes & Camera
-Storytelling through camera
-Essential shots
-Shot sizes & camera angles
Screen & Analyze: Shorts / Clips
READ: Chapter 7 “How Can We Describe the Observational, Participatory, and Performative Modes?”
Edit: Portrait of a Moment FILM
Assign:
-POAM assembly cut or scene due next week
Portrait of a Moment Pre-Pro Package DUE
Email me your groups for the Archival film or if you prefer I assign you to one
Week 4:
9/28
Documentary Modes & Sound
-storytelling through sound
Screen & Analyze: Archival Films
POAM footage/assembly/scene
READ: Chapter 2 “Why Are Ethical Issues Central to Documentary Filmmaking?”
Assign: Archival FILM
POAM assembly cut or scene DUE
2 Archival Film Ideas due next week
Week 5:
10/5
Portrait of a Moment Feedback
Screen & Critique: Portrait of a Moment FILMs
Pitching
-tricks & tips
Portrait of a Moment FILM DUE
2 Archival FILM ideas DUE
Assign: Portrait of a Moment Reflection
Assign: Archival Film Pitch DUE next week
Week 6:
10/12
Interviewing Techniques
Discuss Archival FILM & Groups
Pitch Archival FILM ideas
Screen & Analyze: Shorts / Clips
READ: Chapter 10 “I Want to Make a
Documentary, Where Do I Start?”
DUE: Portrait of a Moment FILM reflection
Assign: Archival Film Pre-Pro package
Week 7:
10/19
Archival FILM
-group meeting time
-instructor meetings with groups
READ: Chapter 3 “What Gives Documentaries
a Voice of Their Own?”
Watch: short film
DUE: Archival Film Pre-Pro package
Week 8:
10/26
Narrative Structure
-Structuring a narrative
-Organizing footage, transcribing, logging
In groups: Structure diagram exercise
Screen: shorts/clips
READ: Chapter 4 “What Makes Documentary
Filmmaking Engaging and Persuasive?”
Rough Cut due next week
Week 9:
11/2
Post Production
Screen & Feedback: Interviews/ Rough Cuts
READ: Chapter 8 “How Have Documentaries
Addressed Social and Political Issues?”
DUE: ARCHIVAL ROUGH CUT
Week 10:
11/9
Archival Fine Cuts
-Screen & Critique
Attendance Mandatory
DUE: ARCHIVAL FINE CUT
This syllabus is subject to change as necessary during the quarter. If a change occurs, it will be thoroughly addressed during class, posted under Announcements in D2L and sent via email.
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